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Artists: Benches

Satoru Abe & John Koga
Nicholas Bleecker
Jesse Christensen
Jodi Endicott
KC Grennan & Scott Fitzel
Ron Kent
Mary Mitsuda
Leland Miyano
Deborah Nehmad
Christopher Reiner
Rich Richardson
Cade Roster
Fred Roster
Frank Sheriff
Randall Shiroma
Lonny Tomono
Lori Uyehara
Roy Venters
Yida Wang & Jianjie Ji
George Woollard
Students of
Roosevelt High School

 

 


 


Click the bench icon to see  Yida Wang & Jianjie Ji's Bench

Bio of Yida Wang

Yida Wang is an assistant professor of art and art history and curator of the art exhibits for Kuykendall 106 Events Room & Gallery on the campus of the University of Hawaii at Manoa. Yida has a rich background of training in Chinese and Western art. A native of Shanghai, she left for the United States in the 1980's to study art at the University of Hawaii, where she has been teaching since she received her Master's degree in 1994.

Recognized for her performance in teaching and art making, she is the current Painting and Drawing Program Chair. The multi-faceted nature of Yida Wang's creative repertoire reflects Chinese cultural themes and includes painting, drawing, mixed media, installation and many personas, a trekker across the universe of art, and a woman with a mission.

Bio of Jianjie Ji

Born in Shanghai, China, in 1957, Ji has lived and worked in Hawai‘i since 1986. He received a BFA degree from Shanghai Light Industry College and an MFA degree in painting from the University of Hawai‘i—Manoa. He has received numerous awards for his work, including the 1995 Artists of Hawai‘i Exhibition Melusine Award for Painting and the 1993 Artists of Hawai‘i Exhibition Reuben Tam Award for Painting.

Artist Statement:  Humans use many instruments of expression. I explore my own Asian cultural identity by using a wide variety of methods and materials, both traditional and contemporary, artistic and industrial, ready made objects and antiques, to restructure them into a new art form that express my deep-seated interest in the experiential threads that weave together the tapestry of everyday human existence, collective memory and cultural transformation.

In my professional practice, I strive for seeking the emergence of different visual languages and multimedia recombination in the work aimed at rediscovering and reexamining cultural collision and intricacy. I also endeavor to explore and reconceptualize a wide range of environmental, social and behavioral issues and their respective cultural contexts.

 

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